Compositions of Chitravina N Ravikiran
Chitravina N Ravikiran (born 1967) is a prodigious musician and prolific composer. Ravikiran has handled various traditional Carnatic forms like kriti, varnam, tillana, javali and padam as well as North Indian forms like bhajans and folk forms like chindu. He has also innovated a form called swarakrti. He is also a rare example of a composer to have used five languages – Sanskrit, Tamil, Kannada, Telugu and Hindi. Most of his compositions include the signature phrase (mudra), Ravi-Shashi and a few rare ones sport the word, Ravikiran. He has also composed practice forms for students such as geetams. Some of his popular compositions are included here.
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Palayamam - Hamsadhwani - Roopakam - Chitravina N Ravikiran
Learn a beautiful composition in Hamsadhwani raga set to roopaka tala composed and taught by Sangeet Samrat Chitravina N Ravikiran.
The notation for this composition can be found here -
Kalaimahale – Hindolam - Chitravina Ravikiran
Learn the beautiful Hindolam geetham, Kalaimahale, a composition of Shri Chitravina N Ravikiran taught by the composer himself. The notation is provided in the Perfecting Carnatic Music Level 1 e-book.
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Manchi Samayamide - Devamanohari - Adi tala - Chitravina N Ravikiran - Varnam
Learn the rare Devamanohari varnam, Manchi samayamaide, a composition of Shri Chitravina N Ravikiran, set to Adi talam, taught by the guru himself. The notation is provided in the Perfecting Carnatic Music 2 ebook.
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Arulavendum – Devamanohari – Adi Tala - Chitravina N Ravikiran
Learn the composition Arulavendum, set to Devamanohari ragam and Adi Talam, composed and taught by Sangeet Samrat Chitravina N Ravikiran.
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Dayanidhe- Shankarabharanam - Adi Tala - Chitravina N Ravikiran
Learn the composition Dayanidhe, in raga Dheerashankarabharanam, set to Adi Tala, composed and taught by Sangeet Samrat Chitravina N Ravikiran.
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Dehamenduku – Saranga – Roopakam - Chitravina N Ravikiran
Learn a composition in the raga Saranga, set to Roopaka Tala, composed and taught by Sangeet Samrat Chitravina N Ravikiran
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Santoshamuga - Abheri Varnam -Chitravina N Ravikiran
Learn the beautiful composition, Santoshamuga, in raga Abheri, set to Misra chapu, taught by guru Shri Chitravina N Ravikiran.
The notation can be found < a href="https://drive.google.com/file/d/1wlko77lX_reHKF5UbOSrcOubjsv9hs_7/view?usp=sharing"> here
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Om Sharavanabhava-Kuntalavarali-Adi Tala - N Ravikiran
Learn the beautiful tamil composition of Shri Chitravina N Ravikiran in Raga Kuntalavarali, Om sharavanabhava, set to Adi tala taught by the composer itself
The notation can be found < a href="https://drive.google.com/file/d/1twtcDtYm6y0e2FAYbqKQ2cIc0EqjIJAB/view?usp=sharing" > here
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Sankatahara – Malayamarutam – MIshra Chapu - Chitravina N Ravikiran
Sangeet Samrat Chitravina N Ravikiran teaches his composition Sankatahara, in the raga Malayamaruta, set to Misrachapu talam.
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Tillana - Katyayani – Roopakam - Chitravina N Ravikiran
Learn the beautiful Thillana composition of guru Shri Chitravina N Ravikiran, in the Raga Katyayani set to Roopakam.
Notation for the tillana can be found here
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Dehamenduku - Saranga - Chitravina N Ravikiran
This is a composition in Raga Saranga, set to Rupaka Tala, composed and taught by Sangeet Samrat Chitravina N Ravikiran
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Tillana - Begada - Roopakam - Chitravina N Ravikiran
Learn the beautiful Thillana composition of Guru Shri Chitravina N Ravikiran, in the Raga Begada set to Roopakam.
The notation can be found here
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Mampahi - Todi - Adi Tala - Chitravina N Ravikiran
Guru Chitravina Ravikiran teaches his composition in Raga Todi, Mampahi, set to adi tala, which has a unique structure where the anupallavi is composed in 4 speeds.
The notation can be found here
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Moha mataladi - Vasanta - Adi - Chitravina N Ravikiran - Javali
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Guru Chitravina N Ravikiran teaches his own composition, a javali, Moha mataladi, in the raga Vasanta.
The notation can be found here.
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Kalanidhim Bhajami-Kalanidhi - Roopakam - Chitravina N Ravikiran
Sangeet Samrat Chitravina Ravikiran teaches his composition in the rare raga Kalanidhi, Kalanidhim Bhajami, set to roopaka tala.
Notation for this composition is available here. -
72 mela ragamalika geetham
This is the geetham in 72 mela ragamalika, set to Adi tala, composed and taught by Sangeet Samrat Chitravina N Ravikiran.
Please find the notation here.
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Tirumaname - Ragamalika - Chitravina N Ravikiran
Sangeet Samrat Chitravina N Ravikiran teaches his composition Tirumaname, in ragamalika, set to Adi tala.
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Tillana - Kapi - Adi(Tishra gati) - Chitravina N Ravikiran
Sangeet Samrat Chitravina N Ravikiran teaches his composition in the raga Kapi, set to Trishra nadai Adi Tala.
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Tillana - Sarasangi - Adi - Chitravina N Ravikiran
Learn Thillana in the raga Sarasangi set to Adi tala composed and taught by Sangeet Samrat Chitravina N Ravikiran
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Mohanangi - Mohanam - Mishra Chapu - Chitravina N Ravikiran
Learn the beautiful composition in the raga mohanam composed and taught by Sangeet Samrat Chitravina N Ravikiran set to Mishra Chapu.
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Introduction to Bhajana Marga Sampradaya by Udayalur Dr K Kalyanaraman
In this session, Udayalur Dr K Kalyanaraman introduces the Bhajana Marga Sampradaya.
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Shree Ganeshwara - Revagupti - Mishra Chapu - Chitravina N Ravikiran
Sangeet Samrat Chitravina Ravikiran teaches a bhajana marga kriti, Sree Ganeshwara in the raga Revagupti.
Lyrics for this composition can be found here
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Kalyaname – Punnagavarali – Khanda Chapu – Chitravina Ravikiran
Sangeet Samrat Chitravina N Ravikiran teaches a composition Kalyaname in the raga Punnagavarali, set to Khandachapu.
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Rama Rama - Poorvi Kalyani - Chitravina Ravikiran
Sangeet Samrat Chitravina Ravikiran teaches a bhajana marga composition, Rama Rama, in the raga Poorvikalyani set to Trishra Nade Adi tala.
Lyrics for the compositions taught in this masterclass can be found here
